The Court of the Empress Josephine by Imbert de Saint-Amand, Arthur Léon, baron, 1834-1900, Perry, Thomas Sergeant

The next day the Emperor went to Paris to hold a grand reception at the Tuileries, for he was not a man to postpone the enjoyment of the splendor which his satisfied ambition could draw from his new title. In this palace, where had ruled the Committee of Public Safety, where the Convention had sat, whence Robespierre had departed in triumph to preside over the festival in honor of the Supreme Being, nothing was heard but the titles of Emperor, Empress, My Lord, Prince, Princess, Imperial Highness, Most Serene Highness. It was asserted that Bonaparte had cut up the red caps to make the ribbons of the Legions of Honor. The most fanatical Revolutionists had become conservative as soon as they had anything to preserve. The Empire was but a few hours old, and already the new-born court was alive with the same rivalries, jealousies, and vanities that fill the courts of the oldest monarchies. It was like Versailles, in the reign of Louis XIV., in the Gallery of Mirrors, or in the drawing-room of the Oeil de Boeuf. It would have taken a Dangeau to record, hour by hour, the minute points of etiquette. The Emperor walked, spoke, thought, acted, like a monarch of an old line. To nothing does a man so readily adapt himself as to power. One who has been invested with the highest rank is sure to imagine himself eternal; to think that he has always held it and will always keep it. Indeed, how is it possible to escape intoxication by the fumes of perpetual incense? How can a man tell the truth to himself when there is no one about him courageous enough to tell it to him? When the press is muzzled, and public power rests only on general approval, when there is no slave even to remind the triumphant hero, as in the ancient ovations, that he is only a man, how is it possible to avoid being infatuated by one's greatness and not to imagine one's self the absolute master of one's destiny? The new Caesar met with no resistance. He was to publish scornfully in the _Moniteur_ the protest of Louis XVIII. against his accession. He was to be adored both by fierce Revolutionists and by great lords, by regicides and by Royalists and ecclesiastics. It seemed as if with him everything began, or rather started anew. "The old world was submerged," says Chateaubriand; "when the flood of anarchy withdrew, Napoleon appeared at the beginning of a new world, like those giants described by profane and sacred history at the beginning of society, appearing on earth after the Deluge."